24 REDEMPTION - MP4 MOVIE DESCRIPTION/PLOT

A made for TV movie that provides a bridge between the sixth and seventh

seasons of the hit FOX action series 24, 24: Redemption features series star Kiefer Sutherland as Jack Bauer. As the program opens, Bauer

spends his time doing missionary work in Africa, laying low while the United States government attempts to capture him. His work leads him

into contact with an evil warlord who maintains a loyal army by constantly brainwashing children into joining him. Bauer risks his

freedom in order to stop the warlord. Redemption co-stars Oscar winner Jon Voight, Gil Bellows, and Robert Carlyle.

Redemption begins with a brief prologue showing a young boy being kidnapped at night, indoctrinated, and drafted along with other boys into a rebel militia so they could take part in a coup d'etat,[1] which is being funded by a shadow organization led by Jonas Hodges (Jon Voight).[2] While Jack performs missionary work at the Okavango school in Sangala, U.S. embassy official Frank Trammel (Gil Bellows) serves Jack a subpoena to appear before the Senate regarding torture charges, but he refuses to go. Upon hearing the embassy will cut funding to Benton's school if it continues to protect him, Jack decides to leave.



Meanwhile, several children playing soccer are ambushed by Juma's rebel soldiers and kidnapped for conscription. When two boys run away, the soldiers open fire, killing one. Benton learns that the rebels are planning to attack his school. He calls Jack, who hides the children in an underground shelter, and kills several rebels before getting captured and tortured. Benton is able to ambush the remaining soldiers, and Jack kills the leader, Youssou Dubaku (Zolile Nokwe). His brother, Iké (Hakeem Kae-Kazim) hears of his death and plots revenge, while Jack and Benton leave with the children to get to the American embassy in the capital before the final helicopter evacuates the country.[2]



In Washington, D.C., Chris Whitley (Kris Lemche) is ordered by the conspirators who fund Juma's militia to erase all information that would incriminate them. Instead, he calls his friend Roger Taylor (Eric Lively), the son of President Elect Allison Taylor (Cherry Jones), for help. After Roger hears of the conspiracy, Whitley returns to his home to forward the files, only to be stopped by Hodges's men, who take the information, kill Whitley and bury the body in concrete.[2] Jack, Benton and the boys are spotted by Iké's helicopter. While they flee into the forest, Benton steps on a land mine. With little time to disarm it, Benton urges Jack to leave, so he can buy time. When he is surrounded by Iké and his men, Benton takes his foot off the trigger and detonates the mine, killing himself and the rebels, though Iké survives. Jack and the children continue to the capital, where Jack defeats another rebel ambush. At the gates of the embassy, Trammel denies the children entry and blackmails Jack into surrendering for the children's safety. With reluctance, Jack accepts, sacrificing his freedom. While Taylor is inaugurated President, Jack and the children evacuate, leaving chaotic Sangala behind.[2]

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In- Movie Theatre viewings of 24 REDEMPTION motion picture is FAR high-level to that online crap.

Movie Theatres have splendid surround-sound and obviously the screen is practically large, so your immersion into the atmosphere of the 24 REDEMPTION movie is way better than hunching over a computer screen.

Ok, suppose they streamed 24 REDEMPTION movie online and relayed it to a bigger monitor (or even over a projector) and hooked-up their computer to their 214-channel speaker system. It is as yet impossible to come to the visual depth and sound quality you produce at the theater in a 24 REDEMPTION motion-picture show one can stream or even download through the internet. They likely catch a version of the 24 REDEMPTION movie in lowresolution (which *murders* detail in the 24 REDEMPTION film ) and lowly audio quality. Further more in sound, most computers (unless specially equipped) are not well-adapted to recreating even dual-stereo sound, much less the 5.1 Surround Audio received in theatres.

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